Fall 2024
Master Studio. AHO.
Circular Prototyping: Critical Mass
Spring 2023
Master Studio. AHO.
Re-store: Petroleum
Fall 2022
Master Seminar. AHO.
Lightweight Architecture III: Towards A New Material Paradigm
Fall 2022
Master Seminar. AHO.
Pre-diploma
Fall 2022
Master Studio. AHO.
Re-store: Central Theater
Spring 2022
Master Seminar. AHO.
Pre-diploma
Fall 2019
Seminar. HKU.
Material Histories: Critical Mass.
Spring 2019
Seminar. HKU.
Material Histories: Equilibrium and Suspense.
Spring 2019
Year 4 Studio. HKU.
Open Structures II: Labour.
Fall 2018
Year 4 Studio. HKU.
Open Structures I: Industry Vernaculars.
Fall 2018
Master Studio. HKU.
Universals VII: Saturday Afternoon.
Fall 2017
Master seminar. Monash University.
Material History: Critical Mass.
Fall 2014
Master Studio. AHO.
Re-Store: Oslo. Reinventing the Government District.
Fall 2013
Master Studio. AHO.
Three Critical Projects.
Fall 2012
Master Studio. AHO.
Asylum Venice.
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Spring 2017
Design studio. AHO.
Re-Store: Maintenance
In the 1984 film “…men Olsenbanden var ikke død”, Edvard Munch’s Scream is stolen and smuggled down the hose of a vacuum cleaner by a thief masquerading as a cleaning lady. She escapes the museum unseen, cloaked by the ordinariness of maintenance.
Society places little value on the status of maintenance work in private, domestic and public space.
This year the Re-Store studio will seek to understand maintenance as a key form of preservation and preservation as an act of maintenance. The unassuming banality of maintenance systems allows them to surreptitiously become destructive and constructive acts of preservation. We will explore the impact of acts of maintenance as they transcend the preservation of cities, buildings and objects.
Taking the Munch Museum as a case study, we shall respond to the long-term research project City of Dislocation. The project identifies that within the next few years, the government’s policy of centralization will affect more than twenty of Oslo’s biggest institutions, each abandoning their purpose-built headquarters, either because of relocation or closure. Built in 1963 to maintain and exhibit Munch’s collection it has been deemed no longer fit for purpose and will be left vacant when the collection moves to the new museum.
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Teachers: Amandine Kastler, Erlend Skjeseth, Andrea Pinochet
Study trip: London and Athens
Guests: Daniel Ayat (Parsons), Eirik Bøhn (AHO), Chris Pierce (Architectural Association), Erik Langdalen (AHO), Toni Kauppila (KHIO), Aram Mooridian (Cambridge)
This year the Re-Store studio will seek to understand maintenance as a key form of preservation and preservation as an act of maintenance. The unassuming banality of maintenance systems allows them to surreptitiously become destructive and constructive acts of preservation. We will explore the impact of acts of maintenance as they transcend the preservation of cities, buildings and objects.
Taking the Munch Museum as a case study, we shall respond to the long-term research project City of Dislocation. The project identifies that within the next few years, the government’s policy of centralization will affect more than twenty of Oslo’s biggest institutions, each abandoning their purpose-built headquarters, either because of relocation or closure. Built in 1963 to maintain and exhibit Munch’s collection it has been deemed no longer fit for purpose and will be left vacant when the collection moves to the new museum.
-
Teachers: Amandine Kastler, Erlend Skjeseth, Andrea Pinochet
Study trip: London and Athens
Guests: Daniel Ayat (Parsons), Eirik Bøhn (AHO), Chris Pierce (Architectural Association), Erik Langdalen (AHO), Toni Kauppila (KHIO), Aram Mooridian (Cambridge)